Theory and Practice in Creative Practitioner Research

“This paper is about theory in practice and practice in theory and how, by understanding how each can alter the other, we can learn to advance both. Theory and practice operate together in creative practice but often the role of theory is perceived as quite separate. The paper will focus on the theory-practice axis and will argue that there is a reflexive relationship between them that shapes our notions of the utility of theory in creative work. The discussion begins with a consideration of what the term ‘theory means in different contexts: theory in general, theory in science, theory in critiquing and theory in creativity. It helps to understand the differentiation in order to consider what categories of theory are relevant to creative practice.”

2015
Linda Candy

Ian Breakwell’s Unword 1969-1970: early performance art in Britain

2006
Victoria Worsley

“Based on performances by Ian Breakwell which took place in London, Bristol and Swansea, Unword is an amalgam of text, performance, sculpture, sound and projection. The series of Unword mixed-media performances during 1969-70 incorporated projections and the simultaneous visual recording of each event as part of the performance by Mike Leggett.” A catalogue essay by Victoria Worsley – see left hand column – was commissioned to coincide with the inclusion of Unword in the exhibition ‘Important Mischief: British Sculpture from the 1960’s and 70’s’. More on Unword.